Luigi: The Making and the Meaning by John H Richardson – Understanding a Criminal?

On the fifth of December 2024, a leading publication published the headline “Insurance CEO Gunned Down In Manhattan”. The article then noted that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then calmly departed the scene”. The daytime killing was indeed both chilling and disturbing. But many Americans reacted differently: for those who faced insurance rejections or struggled with medical bills, the news felt cathartic. Online platforms erupted. One post read: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the artificial intelligence system the insurance company designed to maximize profits on your health.”

Five days later, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania alumnus with a master’s in computer science, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on federal and state charges of murder, with the district attorney seeking the capital punishment. So what is his background? And what might have motivated the accused offense? These are the questions John H Richardson seeks to resolve in an inquiry that explores broader themes, too.

The Making of a Subject

A writer for a major publication, Richardson spent years researching the communities that lurk in the dark corners of the internet, producing articles about people “cursed with realistic fears about an end-times scenario”. To uncover “the making” of his subject, Richardson first examines Mangione’s wide-ranging book list. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on a reading platform”. Their subject matter ranged from climate change to masculinity, along with a “emphasis on his own personal growth, both physical and mental”. Additionally, Richardson sifts through his communications with influencers and authors as well as his many updates on social media. These original materials, meant to paint a portrait of Mangione, instead present him as an amorphous figure. Richardson attempts to explain this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old deceiver’s charm”. Throughout the book, Richardson tries to frame his subject in archetypal terms.

Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’

Interpreting the Incident

As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “refuse” and “remove”, engraved on the bullets left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to reject claims. He looks at the evidence Mangione had a chronic back condition, which could have been a reason for an attack, but finds no proof; instead, what significance there is seems to rest in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to ultimately either take control, or destroy us, or both.

Gaps in the Narrative

Conspicuous by their absence from the book are conversations with the key individuals. Richardson made requests, but did not anticipate access to Mangione himself. And his relatives stated explicitly that they had chosen not to talk to the media in advance of the trial. Another flashing-yellow omission is any detailed data about the victim, Thompson, though we learn that under his leadership, from 2021 to 2023, company earnings rose significantly.

Unclear Conclusions

By the conclusion, the audience has no clear understanding of Mangione’s character or what could have driven his accused actions. Worse still, Richardson’s apparent empathy for him gives the reader the disturbing feeling of having been privy to a veiled endorsement of an targeted killing. In the book’s closing remarks, Richardson presents his fairytale assessment: “We’ve entered a era of stories, the mad king, the beast in the labyrinth and the emperor without clothes.” In that tale “Robin Hoods come with a appealing vow … They arrive in times of social turmoil, when the people are suffering and everything is confusing anymore.”

One thing is certain: as Mangione’s defence team works to have charges that could lead to the death penalty dismissed, any mention of myths, Robin Hoods, champions or monsters will not be allowed in court in support for this attractive individual with a “features reminiscent of classical art” soon to be on trial for murder.

Dr. Richard Washington PhD
Dr. Richard Washington PhD

A tech enthusiast and journalist with a passion for exploring emerging technologies and their impact on society.